As a newspaper reporter, I go to my fair share of press conferences. Most of the time, they're much ado about nothing. However, there is one press conference that always delivers the goods — the annual Oscar nominations announcement.
Of course, I don't get to cover it. That means I'm usually relegated to the role of spectator. And like anyone watching from the sidelines, I have my own take on who's in and who's out.
I must admit first, however, that 2007 was not my most active as a moviegoer. While I'd like to think I kept my Netflix and Blockbuster Online queues a rockin' and a rollin', I didn't catch nearly as many flicks as I should have. Plus, most of the award season fare comes out in limited release in December in NYC and L.A. (just in the knick of time for consideration). So the average American probably hasn't had the chance to see all of the films jockeying for Oscars anyway.
Verbose and long-winded disclaimers aside, here are the nods I'm excited about:
Juno for Best Picture, Director (Jason Reitman), Actress (Ellen Page) and Original Screenplay (Diablo Cody) — Just saw this over the weekend. It is a truly wonderful film. Page absolutely owns the screen and Cody (a former stripper), in her first screenplay, has created authentic characters with just enough elasticity that they are bigger than life. My fellow Denison alum Jennifer Garner proves yet again that she's criminally underrated (speaking of Denison alums, another Denisonian, Hal Holbrook, received a nomination for his role in Into the Wild). Strong turns by J.K. Simmons, Michael Cera, Jason Bateman and Allison Janney make this one of the best ensemble casts since Magnolia.
Johnny Depp, Best Actor in Sweeney Todd: The Demon Barber of Fleet Street — Depp never disappoints but his take on the title character from genius Stephen Sondheim's macabre classic is a huge stride forward for him in unchartered territory. And yes, dude can sing.
Amy Ryan, Best Supporting Actress in Gone Baby Gone — Ryan's portrayal of a junkie who's a horrible mother is painful to watch...in a good way. She's more heroin than heroine in Ben Affleck's directorial debut, which should have yielded more than just Ryan's nomination. It should be up for Best Picture and yes, Affleck for Best Director (stay behind the camera Ben, you've found your calling).
And that brings me to the snubs:
No Best Picture nomination for Ratatouille? — Sure it got the obligatory nod for animated feature but Brad Bird's animated masterpiece was BY FAR the year's biggest cinematic accomplishment. It's moving, hilarious and beautiful to look at. If you think it's just about a talking rat who cooks, you missed the point. It's about reaching for the stars while remaining true to yourself and where you came from.
No Original Screenplay nod for Knocked Up? Sure it's crass, crude and even gross, but Judd Apatow's screenplay managed to be the year's funniest and among the most heart-warming (kind of like his previous film The 40-Year-Old Virgin, which also got the snub from Oscar).
For now, I'm going to catch up on all the nominees I missed and remain bitter about the ones the Academy missed. Let's just hope this is the last time Michael Moore is recognized for a "documentary."